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Italic type was first used by Aldus Manutius and his press in Venice in The choice of using italic type, rather than the roman type in general use at the time, was apparently made to suggest informality in editions designed for leisure reading.
Manutius' italic was different in some ways from modern italics, being conceived for the specific use of replicating the layout of contemporary calligraphers like Pomponio Leto and Bartolomeo Sanvito.
The capital letters were upright capitals on the model of Roman square capitals , shorter than the ascending lower-case italic letters, and were used at the start of each line followed by a clear space before the first lower-case letter. The Venetian Senate gave Aldus exclusive right to its use, a patent confirmed by three successive Popes , but it was widely counterfeited as early as The Italians called the character Aldino, while others called it Italic.
Italics spread rapidly; historian Hendrik Vervliet dates the first production of italics in Paris to Jan van Krimpen 's Cancelleresca Bastarda, a twentieth-century revival of the chancery italic style. Besides imitations of Griffo's italic and its derivatives, a second wave appeared of "chancery" italics , most popular in Italy, which Vervliet describes as being based on "a more deliberate and formal handwriting [with] longer ascenders and descenders, sometimes with curved or bulbous terminals, and [often] only available in the bigger sizes.
The first printer known to have used them was Johann or Johannes Singriener in Vienna in , and the practice spread to Germany, France and Belgium.
The trend of presenting types as matching in typefounders' specimens developed also over this period. Please improve it by verifying the claims made and adding inline citations.
Statements consisting only of original research should be removed. December Here is an example of normal roman and true italics text: Example text set in both roman and italic type Here is the same text as oblique text: The same example text set in oblique type True italic styles are traditionally somewhat narrower than roman fonts.
Below are some examples, besides the slant, of other possible differences between roman and italic type that vary according to how the types are designed.
Here are the illustrated transformations from roman to italic: a "round" or one-storey a, an e whose bowl is curved rather than pointed, an f with a tail known as a descender , a k with a looped bowl, a k with a ball terminal , a p with an intersection at the stem ascender , a v and w with swashes and curved bottoms, a z with the stress on the horizontal strokes as opposed to the diagonal vertical one.
Cyrillic characters in italics and nonitalics None of these differences are required in an italic; some, like the "p" variant, do not show up in the majority of italic fonts, while others, like the "a" and "f" variants, are in almost every italic. Other common differences include: Double-loop g replaced by single-loop version. Different closing height where the forked stroke intersects with the stem e. Bracketed serifs if any replaced by hooked serifs. Tail of Q replaced by tilde as in, for example, the Garamond typeface.
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Less common differences include a descender on the z and a ball on the finishing stroke of an h, which curves back to resemble a b somewhat. Sometimes the w is of a form taken from old German typefaces, in which the left half is of the same form as the n and the right half is of the same form as the v in the same typeface.
There also exist specialised ligatures for italics, such as when sp is formed by a curl atop the s that reaches the small ascender at the top of the p.
In addition to these differences in shape of letters, italic lowercases usually lack serifs at the bottoms of strokes, since a pen would bounce up to continue the action of writing. Instead they usually have one-sided serifs that curve up on the outstroke contrast the flat two-sided serifs of a roman font.
One uncommon exception to this is Hermann Zapf 's Melior. Its outstroke serifs are one-sided, but they don't curve up. Four ampersands in regular and italic styles. Outside the regular alphabet , there are other italic types for symbols: Ampersand resembles an ET ligature more than the Roman version e.
Question mark resembles a reversed Latin S. Usage[ edit ] A common view of when to use italics and bold text. An additional option for emphasis is to use small capitals for a word or name to stand out. This is called stress in speech.
The titles of works that stand by themselves, such as books including those within a larger series , albums, paintings, plays, and periodicals : "He wrote his thesis on The Scarlet Letter". Works that appear within larger works, such as short stories, poems, or newspaper articles, are not italicised, but merely set off in quotation marks. When italics are unavailable, such as on a typewriter or websites that do not support formatting, an underscore or quotes are often used instead.
Mentioning a word as an example of a word rather than for its semantic content see use—mention distinction : "The word the is an article". Using a letter or number mentioned as itself: John was annoyed; they had forgotten the h in his name once again.
ITC Century® Condensed Book Italic font
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ITC Century. Book Italic. Century -- Book -- Italic. Download Format. The latest addition icons More The latest addition fonts More Packages NicolasCochinWRegular. Trademark Nicolas Cochin is a trademark of Linotype GmbH and may be registered in certain jurisdictions. Copyright Copyright - Linotype GmbH, www. Packages Florencesans SC Cond. Copyright Copyright c Derek Vogelpohl, Description Copyright c Derek Vogelpohl, Packages SabaeanGG.
itc century std book condensed
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Description This font was created using Font Creator 5. Copyright Copyright c Arsenal Company , It was developed by Rudolph Koch, a type designer who had previously specialised in to blackletter font design which does not use italics ; Walter Tracy described his design as "uninhibited by the traditions of roman and italic".
The requirement for fonts to remain under this license does not apply to any document created using the fonts or their derivatives.
An alternative option is to switch to an 'upright italic' style if the typeface used has one; this is discussed below. Gothic Italic no. Since italic styles clearly look different from regular roman styles, it is possible to have 'upright italic' designs that have a cursive style but remain upright.
ITC Century LT Book Italic Font
Instead they usually have one-sided serifs that curve up on the outstroke contrast the flat two-sided serifs of a roman font. The trend of presenting types as matching in typefounders' specimens developed also over this period.
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